Though best known as a comedian, Markham was
also a singer, dancer, and actor. His nickname came from a stage
routine, in which he declared himself to be "Sweet Poppa Pigmeat."
Dewey Pigmeat Markham was born in Durham, North Carolina. His
family was the most prominent on their street, which
was later officially renamed Markham Street. Running away from
home in 1918,
Markham began his career in traveling music and burlesque shows.
He took up with a white showman he ambiguously referred to over the
years as "Mr. Booker" owner of a
"gilly carnival." Soon, Markham found himself in blackface. "Mr.
Booker came over to us before the show with a can of Stein's burnt-cork
and showed us how to put it on in front of the mirror. He also had some
pink and white lip make-up."
"You may wonder
why a Negro had to do that, and all I can tell you is that's the way it
was. Just about every Negro entertainer in those days worked in
burnt-cork and lip make-up - even Bert Williams who was the greatest of
them all. Matter of fact, I never went before an audience without my
burnt-cork until 1943 - more than twenty years later."
For a time he was a member of Bessie Smith's Traveling Revue in the
1920s and later appeared on burlesque bills with such comedy legends as Milton Berle, Red Buttons, and Eddie
Cantor. He claimed he originated the Truckin' dance which became nationally popular at the start of the 1930s.
Markham performed regularly at New York's famed Apollo Theater
where he wore blackface makeup and huge painted white lips,
ignoring complaints from Black leaders that it was insulting and
degrading.
During his long career he appeared at the Apollo more frequently
then any other performer. Starting in the 1950s, Pigmeat Markham began
working on television, making multiple appearances on the Ed
Sullivan Show.
Dewey Pigmeat Markham in the 1930s
His boisterous, "Here come da Judge" routine is what made him
famous with both Black and White audiences. Pigmeat Markham would sit at an elevated judge's bench in a black
cap-and-gown and riff on a series of comic miscreants. He would often deliver his
"judgments," as well as express frustration with the accused, by leaning over the bench and smacking them
with an inflated bladder-balloon. He saw "Here come da Judge" become a catch phrase on the Laugh-In television show,
along with "Look that up in your Funk and Wagnall's."
Ironically, Markham's "Here come da Judge" routine was
"discovered" by the general public only after Sammy Davis, Jr.
performed it as a guest on Laugh-In. The success of Davis's
performance
on Laugh-in led to Markham receiving a one-year contract to
perform his signature Judge character
on the show. During this period (1968) his song, "Here Come the
Judge" peaked at number 19 on the Billboard and other charts
and is considered by many in the music industry today to be an
early
form of rap music. Markham cut a handful of follow-ups,
including "Sock It to 'Em, Judge," "The Hip Judge," and "Your Wires Have
Been Tapped," but none enjoyed the same success as "Here Come the
Judge," and
he returned to standup comedy.
Pigmeat Markham published an autobiography,
Here Come the Judge!, in the wake of his Laugh-In success. After a career that spanned seven decades,
Pigmeat Markham died from a stroke on December 13, 1981.
Dewey "Pigmeat" Markham at the Apollo.
This burlesque comedy sketch co-stars George Wiltshire and "the Voice of the Apollo," Vivian Harris.
HERE COME 'DA JUDGE
Pigmeat Markham
Hear ye, hear ye
This court is now in session
His Honor, Judge Pigmeat Markham presidin
Hear ye, hear ye, the court of swing
It's just about ready to do that thing
I don't want no tears, I don't want no lies
Above all, I don't want no alibis
This Judge is hip, and that ain't all
He'll give you time if you're big or small
All in line for this court is neat
Peace brother, here comes the Judge
Here comes the Judge
Everybody knows that he is the judge
Everybody near or far
I'm goin' to Paris to stop this war
All those kids gotta listen to me
Because I am the judge and you can plainly see
I wanna big 'round table when I get there
I won't sit down to one that's square
I wanna lay down the law to them that brought it
I'll bust some head because I am the judge
He is the judge, he is the judge
Who's there? I is. I is who?
I is your next door neighbor
Order in this courtroom, order in this courtroom
Judge, your Honorship, Hi sir
Did I hear you say "Order in the Court?"
Yes I said order in the court
Well, I'll take two cans of beer, please
He is the judge, he is the judge
Everybody knows that he is the judge
I had a chat with Ho Chi Min
With cheap rice wine and chased with gin
Won't take long unless I miss my guess
I'll have you out of this doggone mess
I sent a cable to Bob and Mac
Let them know I'm comin' back
Sit right down with Rock and Nick
Teach them boys some of Pigmeat's tricks
Oh, oh judge, your Honor, Pigmeat said
"Don't you remember me??"
No, who are you, boy
Well, I'm the feller that introduced you
To your wife... to my wife?
Yeh, life! You son-of-a-gun you
Come November, election time
You vote your way, I'll vote mine
Cause there's a tie, and the money gets spent
Vote for Pigmeat Markham, President
I am the judge, vote for Pigmeat
I am the judge, vote for Pigmeat
Now, everybody knows I am the judge
Blackface! The mask which the actor wears is apt to become his face -- Plato -- Blackface is more than just burnt cork applied as makeup. It is a style of entertainment based on racist Black stereotypes that began in minstrel shows and continues today. History of Blackface The stock characters of blackface minstrelsy have played a significant role in disseminating racist images, attitudes and perceptions worldwide. Every immigrant group was stereotyped on the music hall stage during the 19th Century, but the history of prejudice, hostility, and ignorance towards black people has insured a unique longevity to the stereotypes. White America's conceptions of Black entertainers were shaped by minstrelsy's mocking caricatures and for over one hundred years the belief that Blacks were racially and socially inferior was f...
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Blackface and Minstrel Shows "If I could have the nigger show back again in its pristine purity, I should have little use for opera." -- Mark Twain -- Blackface performers are, "...the filthy scum of white society, who have stolen from us a complexion denied them by nature, in which to make money, and pander to the corrupt taste of their white fellow citizens." -- Frederick Douglass -- Minstrelsy evolved from several different American entertainment traditions; the traveling circus, medicine shows, shivaree, Irish dance and music with African syncopated rhythms, musical halls and traveling theatre. The "father of American minstrelsy" was Thomas Dartmouth "Daddy" Rice (1808-60), who in 1828, in a New York City theatre, performed a song-and-dance routine in blackface and tattered clothes. Rice's character was based on a folk trickster persona named...
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